Iron cage is a phrase associated with Max Weber who wrote that the new emphasis on materialism and wordly success that arose with Protestantism had imprisoned human society in an iron cage of self perpetuating rationalization and depersonalisation. Max Weber is well known for his depiction of the modern world as an 'iron cage'. Along with most of his German colleagues at the fin de siecle, he viewed the coming of modern capitalism with trepidation and foreboding. In the book, The Protestant Ethic and the Spirit of Capitalism (1930/2000), Max Weber argued that the 'inner-worldly' asceticism of Calvinism had given birth to the notion of a 'vocational calling'.
The Modern World as a Monolithic Iron Cage? Utilizing Max Weber to Define the Internal Dynamics of the American Political Culture Today, Stephen Kalberg - Abstract: If derived from the overall thrust of his sociological writings rather than his political essays, Weber's view of modernity is characterized by attention to the unique features of various advanced industrial societies rather than by a monolithic 'iron cage' vision. This study first demonstrates this point by briefly discussing central differences in the political cultures of Germany and the United States, and then by reconstructing, following Weber, the classic dualism in the American political culture: a 'world mastery' and self-reliant individualism stands opposed to - though also intertwined with - a public sphere penetrated by civic ideals.
How does Weber define the iron cage and does this metaphor accurately
capture his view of modernity? More generally, do Weber's distinguished sociological
writings assist Americans today, at the dawn of the twenty-first century, to understand
their own society and, in particular, its 'political culture'? The Iron Cage
In his most famous book, The Protestant Ethic and the Spirit of Capitalism, Weber argued that the 'inner-worldly' asceticism of Calvinism had given birth to the notion of a 'vocational calling'. This methodical orientation toward work, as it spread widely in the American colonies, lost its religious foundations after several generations. Nonetheless, this spirit of capitalism, now simply a 'practical-ethical' constellation of values, or ethos, had assisted in giving birth to an industrial and highly organized form of capitalism. In his iron cage model, the domination of bureaucracy calls forth a caste of functionaries and civil servants who monopolize power.
Max Weber and the Iron Cage of Technology
- Terry Maley, York University
Bulletin of Science, Technology & Society, Vol. 24, No. 1, 69-86 (2004)
Max Weber is seen by mainstream social scientists as one of sociologists, social theorist, and theorist of bureaucracy. In this reassessment of Webers social science and its methodology, it is suggested that Weber can also be seen as a compelling early 20th-century critic of science and technology. The theme of technology, and Weber’s ambivalence about it, is approached through a discussion of his notion of disenchantment. In the modern, disenchanted world, social scientists are compelled to choose the values that guide research, but research is constrained by the technocratic requirements of large, bureaucratic institutions that sponsor and fund it. The article asks whether Weber’s notion of individual values is still applicable in the context of social science in the early 21st century.
The Iron Cage and the Digital Matrix: Castells and Cultural Transformations in the Information Age - Dalton, Benjamin
Paper presented at the annual meeting of the American Sociological Association.
Abstract: Manuel Castells theorization of the network society as the contemporary form of advanced capitalism is a comprehensive account of the role of networks and information technologies in altering economic, social, and cultural relationships. However, Castells analysis of the cultural consequences of informational restructuring is ambiguous and at times contradictory. This paper examines the Castells concepts of real virtuality and the spirit of informationalism in articulating a cohesive account of the cultural conditions of the network society. Via the analogy with Webers iron cage, which Castells also employs, I argue that contemporary life can be thought of as a digital matrix that produces a sense of distant intimacy by simultaneously disconnecting and connecting fragments of identity shared across virtual space.