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CONSUMER
CULTURE |
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In his book Shop
'til You Drop: Consumer Behavior and American Culture, Arthur Asa Berger, quotes
French sociologist Jean Baudrillard, who explains that
"in the consumption of surplus... the
individual-and society feel not merely that they exist, but that they are alive."
Berger explores the origins of "consumer
culture" in an academic fashion and relies upon the work of social anthropologists to
help unravel the mystery and motivation behind the urge to splurge.
Daniel Doherty and Amitai Etzioni in their essays
-- Voluntary
Simplicity: Responding to Consumer Culture -- reflect on the different facets of
voluntary simplicity and consumer culture, providing an historic view of the movement as
well as a social-scientific analysis of its causes and effects.
Consumer culture is a culture in which the attainment of
ownership and possession of goods and services is presented as the primary aim of
individual endeavor and the key source of social status and prestige.
Consumer Culture Theory (CCT) is an interdisciplinary field that
comprises macro, interpretive, and critical approaches to and perspectives of consumer
behavior.
Advanced capitalist societies are characterized by a 'consumer
culture' - a culture where what we consume, and the way in which we consume goods and
services provided in economic markets has come to represent our identities, mediate our
interactions with others and even shape our politics.
Why people derive such joy from the mere act of consumption? How
advertisement and fads shape consumer culture and the drive to consume?
Consumer
Culture and Postmodernism (Published in association with Theory, Culture &
Society) by Mike Featherstone (Paperback - Aug 10, 2007) |
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Books on Consumer
Culture: 
The
Anxieties of Affluence: Critiques of American Consumer Culture, 1939-1979 (February 1,
2004)
Daniel Horowitz

Freaks,
Geeks and Cool Kids: American Teenagers, Schools, and the Culture of Consumption
(Hardcover) (March 1, 2004)
Murray, Jr. Milner
In this timely and insightful book, award-winning sociologist Murray Milner tries to
understand why teenagers behave the way they do. Drawing upon two years of intensive
fieldwork in one highschool and 300 written interviews about high schools across the
country, he argues that consumer culture has greatly impacted the way our youth relate to
one another and understand themselves and society. He also suggests that the status
systems in high schools are in and of themselves an important contributing factor to the
creation and maintenance of consumer capitalism explaining the importance of designer
jeans and designer drugs in an effort to be the coolest kid in the class.
Examines the social structure of high school and claims that teenage behaviors stem from
their lack of power over the central features of their lives. Shows how high school
distills the worst features of American consumer society and shapes how people relate to
their neighbors, partners, and coworkers. For parents and educators. |
 Ads,
Fads, and Consumer Culture: Advertising's Impact on American Character and Society:
Advertising's Impact on American Character and Society (September 28, 2003)
Arthur Asa Berger
Expanded and updated from the successful first edition, Ads, Fads, and Consumer Culture,
Second Edition looks at marketing strategies, sex and advertising, consumer culture,
political advertising, and communication theory and process to give an accessible overview
of advertising in America. New material includes classified advertising, advertising
agencies in the recent economy, postmodern perspectives on advertising, new consumer
cultures, metaphor and metonymy, product placement, and the 2002 California campaign for
governor. A new chapter raises questions about prescription drug advertising and
advertising to children. Visit our website for sample chapters!

The
Image Factory: Consumer Culture, Photography and the Visual Content Industry (New
Technologies/New Cultures) (November 1, 2003)
Paul Frosh
Quietly but implacably, powerful transnational corporations are gaining power over our
visual world. A 'global, visual content industry' increasingly controls images supplied to
advertisers, marketers and designers, yet so far the process has, paradoxically, evaded
the public eye.
This book is the first to expose the interior workings of the visual content industry,
which produces approximately 70% of the images that define consumer cultures. The
corporate acquisition of major photographic and film archives, as well as the digital
rights to much of the worlds fine art, is having a profound effect on what we see.
From stock photography to new technologies, this book powerfully engages with the
historical and cultural issues relating to visual culture and new media. How has stock
photography, the system of renting out ready-made images, transformed the role
of marketing and advertising? What impact are digital technologies having on the practices
of industry professionals? How have software programs such as Photoshop enabled
professionals to play God with photographs and how does this influence our
belief in the integrity of images?
Combining original research on stock photography with a new theoretical take on the
circulation of images in contemporary culture, The Image Factory provides a comprehensive
and in-depth exploration of industrialized commercial photography, its uses and abuses.
Paul Frosh is Lecturer, Department of Communication and Journalism, at Hebrew University
of Jerusalem.
Voluntary
Simplicity: Responding to Consumer Culture (Paperback) (December 20,
2003)
Daniel Doherty (Editor), Amitai Etzioni (Editor)
In the past fifty years, the standard of living in most industrialized nations has risen
dramatically, but the number of people describing themselves as content has remained
steady or fallen. The result has been a growing desire to regain some of the virtues of
simpler times, whether by forgoing luxuries, switching careers, or returning to nature.
These essays reflect on the different facets of voluntary simplicity and consumer culture,
providing an historic view of the movement as well as a social-scientific analysis of its
causes and effects.

Culture
Jam: How to Reverse America's Suicidal Consumer Binge--And Why We Must
Kalle Lasn
America is no longer a country but a multimillion-dollar brand, says Kalle Lasn and his
fellow "culture jammers". The founder of Adbusters magazine, Lasn aims to stop
the branding of America by changing the way information flows; the way institutions wield
power; the way television stations are run; and the way the food, fashion, automobile,
sports, music, and culture industries set agendas. With a courageous and compelling voice,
Lasn deconstructs the advertising culture and our fixation on icons and brand names. And
he shows how to organize resistance against the power trust that manages the brands by
"uncooling" consumer items, by "dermarketing" fashions and
celebrities, and by breaking the "media trance" of our TV-addicted age.
A powerful manifesto by a leading media activist, Culture Jam lays the foundations for the
most significant social movement of the early twenty-first century -- a movement that can
change the world and the way we think and live.
Featured in the PBS documentary Affluenza, Kalle Lasn, whose documentaries have been
broadcast on PBS, CBC, and around the world, has won 15 international awards, and has been
profiled in Time. As publisher of Adbusters magazine and founder of Media Foundation and
Powershift Advertising Agency, Lasn has launched social marketing campaigns like Buy
Nothing Day and TV Turnoff Week. He and his wife, Masako Tominaga, make their home in
Vancouver, Canada.

City
Limits: Crime, Consumer Culture and the Urban Experience (Criminology S.) (Sept. 30, 2004)
Keith J. Hayward

Fanning
the Flames: Fans and Consumer Culture in Contemporary Japan (Suny Series in Japan in
Transition) (August 30, 2004)
William W. Kelly (Editor)
Fanning the Flames examines the worlds of fans in the exuberant and commercialized popular
culture of contemporary Japan. The works collected here profile denizens of all-night rap
clubs; sumo stable patrons; passionate fan clubs of a professional baseball team;
enthusiasts of traditional rakugo storytelling; a club of middle-aged female fans of a
popular music star; youthful followers of Japan's longest-running rock band; vinyl record
collectors; and a thriving community of girls and women who produce and devour amateur
comics. Grounded in close, often extended fieldwork with the fans themselves, each case
study is an effort to understand both the personal pleasures and political economies of
fandoms. The contributors explore the many ways that fans in and of Japanese mass culture
actively search for intimacy and identity amid the powerful corporate structures that
produce the leisure and entertainment of today's Japan.
Shop
'til You Drop: Consumer Behavior and American Culture: (December 28, 2004)
Arthur Asa Berger
The number of malls in America has nearly doubled in the last 17 years, as has the amount
of credit card debt. In this slim volume, Berger ponders this correlation and attempts to
explain in great detail why the citizens of the most prosperous nation on Earth derive
such joy from the mere act of consumption. Berger quotes French sociologist Jean
Baudrillard, who explains that "in the consumption of surplus... the individual-and
society feel not merely that they exist, but that they are alive." Alternately dry
and glib (his crudely drawn stickman cartoons with their thoughtful captions dot various
chapters in the book), Berger explores the origins of "consumer culture" in an
academic fashion and relies upon the work of social anthropologists to help unravel the
mystery and motivation behind the urge to splurge. Whereas God once determined our
actions, as stated by 18th-century Puritan writer Jonathan Edwards, it seems that ad
agencies have now taken the place of the divine. While an analysis of shopping malls and
their need to adapt to changing buying behaviors shows the resilience and creativity borne
from capitalism, and the discussion of semiotics and cultural myths in advertising reveals
how predictable the results of marketing manipulation can be on the buyer, the prevailing
theme seems to be the effect of postmodernism on the American pursuit of happiness. The
need to consume, Berger offers, once again citing Baudrillard, stems from the fear of
missing something and an entitlement mindset that says one has the right to try
everything. Though some of Berger's observations may interest the general reader, this
dense analysis is largely for those who are serious about the study of consumerism.
Copyright © Reed Business Information, a division of Reed Elsevier Inc.
Are Americans obsessed with shopping? Shop 'til You Drop is a lively look at our consumer
culture and its role in our everyday lives and society. Arthur Asa Berger considers the
sacred roots of consumer culture, the demographics of consumption, theories about
competing cultures, and the semiotics of shopping. Accessibly written and entertaining,
this book is ideal for courses in cultural studies, advertising, and American studies, as
well as for anyone curious about our nation's drive to consume.

Hub
Culture : The Next Wave of Urban Consumers (Hardcover)
Stan Stalnaker
Original and intriguing perspective on a significant and increasingly important marketing
target group.
* A hip, contemporary issue that people will want to be aware of.
* Interesting comparison of various fashionable cities and places in the hub culture
"league."
Provides an interesting comparison of various fashionable cities and places in the hub
culture league. An original and intriguing perspective on a significant and increasingly
important marketing target group.
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Consumer Culture Abstracts:
Perspectives on Consumer Culture
Mike Featherstone
Three accounts of consumer culture are discussed in this paper. The first one, the
production of consumption perspective, presents the culture which develops around the
accumulation of commodities as leading to greater manipulation and control. The second,
the mode of consumption perspective, focuses upon the way in which goods are variably used
to create distinctions and reinforce social relationships. The third perspective examines
the emotional and aesthetic pleasures, the desires and dreams generated within particular
sites of consumption and by consumer culture imagery. In addition the paper discusses the
alleged tendencies towards cultural disorder and de-classification within consumer culture
which some refer to as postmodernism. - soc.sagepub.com/cgi/content/abstract/24/1/5
Chicano Lite
Mexican-American consumer culture on the border
Howard Campbell, University of Texas at El Paso, hcampbel@utep.edu
This article is an ethnography of working-class, Mexican-American consumer patterns on the
US-Mexico border. Through a study of locally-owned grocery stores, family parties and
fast-food restaurants in El Paso, Texas, I examine the double-edged nature of border
consumerism. Minority consumers, such as Mexican-Americans, often modify mainstream
consumer products and processes to suit their own needs and values. The resultant consumer
styles embody a considerable degree of creativity, contradiction and hybridity, especially
for immigrant minorities. I show how, despite their subordinated class and status
positions in US society, Mexican-Americans create spaces of resistant cultural meaning
within consumer spheres normally treated as generically (Anglo-) American. I conclude that
US consumer culture is both a source of self-fulfilment and a means through which
Mexican-Americans become further enmeshed in a system of vastly unequal political and
economic power. - joc.sagepub.com/cgi/content/abstract/5/2/207
The Rise of Consumer Culture in a Chinese Society: A Reading of Banking Television
Commercials in Hong Kong During the 1970s
Wendy Siuyi Wong, Department of Communication Studies, Hong Kong Baptist University
In this article, I analyze 2 case studies of television advertising campaigns for banking
services during the 1970s and early 1980s in Hong Kong, those of Hang Seng Bank and
HongkongBank. Advertising from this period saw consumer society emerge as traditional
values and themes were adjusted to fit the imperatives of capitalism. The earlier Hang
Seng Bank campaign focused on the traditional banking practice of saving, encouraging
customers to work hard and gradually accumulate wealth. The later HongkongBank campaign
encouraged spending, immediate gratification of material desires, and symbolic status
achieved through acquisition of goods. As the case studies show, this process entailed the
reconfiguration of traditional Chinese values to accommodate the arrival of consumerism in
Hong Kong, a Chinese society. - leaonline.com/doi/abs/10.1207/S15327825MCS0304_04
From Counterculture to Consumer Culture: Vespa and the Italian youth market,
1958-78
Adam Arvidsson, University of East Anglia
This article contributes to an analysis of the origins of contemporary post-modern
consumer culture, centred on the notion of lifestyle choice. It presents a case study of
Piaggio's marketing strategies for their motor scooters - the Vespa being the most famous
one - during the 1960s and 1970s. Although the Vespa had become an icon of the
international youth culture already at the beginning of this period, it is argued that
Piaggio's advertising agency did not appropriate the counterculture on account of its
quantitative importance. Rather, countercultural attachments were mobilized and made part
of Piaggio's advertising discourse first when they harmonized with visions for a future
'postmaterialistic' consumer society harboured by advertising professionals. They
subsequently used new techniques of market research, like motivation research, to
translate such countercultural attachments into a consumer culture centred on individual
self-realization rather than collective rebellion. In the 1970s, it is argued, this new
consumer culture was transformed into what is now known as 'life-style consumerism'. -
joc.sagepub.com/cgi/content/abstract/1/1/47
Consumer Culture and the Culture of poverty: Implications for Marketingtheory and
Practice
Ronald Paul Hill, University of Portlandhill@up.edu; ronaldpaulhill@msn.com
This paper explores the influence of the larger material culture on consumers living
within the culture of poverty so that the scholarly community mightbetter understand the
actual as well as potential role marketing plays in the lives of the poor. The data are a
series of short stories based explicitly on six distinct subpopulations of impoverished
people, and these stories are used as ethnographic data for the purposes of analysis. An
interpretation emerges that emphasizes five inter-related thematic categories: meager
possessions, consumer restrictions, role of the media, consumer reactions, and survival
strategies. The paper closes with a summary of findings and specific implications for the
marketing community with regard to theory and practice. -
mtq.sagepub.com/cgi/content/abstract/2/3/273
Marketing Sadism: Super-Cannes and Consumer Culture
James Fitchett, Exeter University, UKj.a.fitchett@exeter.ac.uk
This article examines the possibilities and futures of consumer society and the
progression of a post-moral marketing paradigm through a critical review of J.G.
Ballards Super-Cannes. - mtq.sagepub.com/cgi/content/abstract/2/3/309
What is new in the south? Consumer culture and the vicissitudes of poor
youths identity construction in urban Brazil
Lucia Rabello De Castro, Federal University of Rio de Janeiro, Brazil
This study analyses the specificities of youth identity construction in Brazil in the
context of global transformations and the particularities of the Brazilian model of
development. Poor urban Brazilian youngsters demands to consume, as a mode of
inclusion in society, achieve short-term gains that narrow down prospective visions
of the self. A logic of survival hypothesis is proposed to account for the
process of identity construction whereby encapsulated and rigid, rather than hybridized
and creative, identities are constituted. The hypothesis is illustrated with a discussion
of the cases of the drug dealer, the religious fanatic and the labourer. New cultural
forms of consumer culture also convey claims for recognition and justice, shown by the
musical expressions coming from the peripheries of big cities. It remains to be seen
whether musical and artistic expressions, as possible factors that can enhance
self-respect and group solidarity among poor youth, will not be consumed just as a new
item of the culture industry. - you.sagepub.com/cgi/content/abstract/14/3/179
Shopping Malls, Consumer Culture and the Reshaping of Public Space in Egypt
Mona Abaza
Egypt witnessed in the last decade, as in many Southeast Asian mega-cities, the reshaping
of public space through the creation of new shopping malls and recreation places. This
went hand in hand with the `gentrification' of certain areas of the city of Cairo, which
is continuing at the expense of pushing away the poor. The 1980s and 1990s also witnessed
increasing prosperity among certain classes and the appropriation of new consumer
lifestyles. This article attempts to look at the variations of shopping malls in Cairo and
the new phenomenon of hybridization of tastes. One can observe the creation of `chic'
shopping malls functioning parallel to popular and working-class malls which are
frequented by different classes, depending on the various districts of Cairo. These newly
created public spaces are gendered. The malls provide new outlets for deprived youth to
experience mingling and flirting, in other words, these spaces offer new forms of `mixity'
between sexes. A glimpse at the `grands magasins' is brought up in relation to the history
of consumerism in Egypt. This article also analyses the government's official discourse
which alienates those living in unplanned and scattered construction as `violent' and
unruly and relates it to the new remaking of the town of Cairo. -
tcs.sagepub.com/cgi/content/abstract/18/5/97
Consumer Culture, Islam and the Politics of Lifestyle: Fashion for Veiling in
Contemporary Turkey
Baris Kilicbay, Gazi University, Turkey
Muta Binark, Gazi University, Turkey
This article traces the growth of the 'fashion for veiling' which has grown in Turkey
since the early 1990s, and discusses the representation of Muslim women in both the
cultural and public spheres in the late 1980s. The practice of veiling has been chosen to
explore how religious iconography is changing to reflect new patterns of consumption and
pleasure, and the ways in which these changes are occurring. The authors focus on the
shifting meanings of the practice of veiling due to the articulation of Islamic faith into
consumption culture, as evidenced in advertising images and commentaries taken from
Islamic women's magazines, and fashion catalogues of major Islamic clothing companies. The
authors examine the problematic relationship of the fashion for veiling to two other
established meanings of veiling: as a sign of adherence to the Islamic principle of
covering the female body to conceal it from the male gaze, and as a sign of 'political
Islam'. - ejc.sagepub.com/cgi/content/abstract/17/4/495
Consumer Culture and the Commodification of Policing and Security
Ian Loader
This paper sets out to make sociological sense of some contemporary trends in the
consumption of policing services and security products. I argue that the commodification
of policing and security can fruitfully be theorised and investigated in terms of the
spread of consumer culture, a contention that I demonstrate in three (related) ways. I
begin by examining how a culture of consumption is pervading the practices and rhetoric of
the public police and outlining the impact of `consumerism' on lay sensibilities towards
policing. I then set out some prevailing trends in the consumption of protective services
and hardware and consider the effects of a burgeoning `security market' on the
construction of authority, subjectivity and social relations. Finally, I detail a number
of possible points of resistance to the spread of commercially-delivered policing and
security and argue that these provide both some potential cultural limits to the extension
of a `consumer attitude' in this field, and a space within which to think about, and
develop, modes of policing shaped by citizens acting in a democratic polity rather than
consumers operating in the market. - soc.sagepub.com/cgi/content/abstract/33/2/373
The punitive consequences of consumer culture
Barry Vaughan, Institute of Public Administration, Dublin, Ireland
This article takes as its starting point a public punitiveness that is novel in its lack
of sympathy for and stridency against offenders. It is suggested that this punitiveness
can be partly explained by the ascent of consumerism as an axial principle of life today.
The ideas of René Girard are used to elaborate upon this suggestion. Girard argues that
disputes emerge within cultures when there are no public prohibitions on consumption.
Desires converge on the same objects, producing conflicts that can only be resolved by a
scapegoating mechanism. Although markets have always threatened to deregulate desires,
there have usually been countervailing movements. The novelty of the consumer society is
that while few goods are prescribed by custom, they no longer possess stable values. This
exacerbates the anxiety predicted by Girard and scapegoating becomes more intensive in an
effort to ground the value of objects of desire. -
pun.sagepub.com/cgi/content/abstract/4/2/195?ck=nck
"You're a Guaranteed Winner": Composing "You" in a Consumer
Culture
Helen Rothschild Ewald, Iowa State University
Roberta Vann, Iowa State University,
This article explores the functional elegance of direct mail as it con structs its target
audience. More specifically, it examines direct mail ings included in a nationally
publicized court case involving Publish ers' Clearing House and articulates how the use of
particular genre-based, rhetorical and linguistic strategies in these mailings con struct
reader identity. It argues that the documents use you-attitude to construct the identity
of the reader as winner, implied reader devices to reinforce the reader's identity as
winner and to establish the reader's identity as the writer's friend, and linguistic
politeness strate gies to build feelings of solidarity of the reader toward the writer. It
concludes with the observation that the direct mail in our study, rather than being
"junk," is really a skillfully written set of documents, suc cessfully
interweaving various discourse strategies and raising both ethical and professional issues
in the process. - job.sagepub.com/cgi/content/abstract/40/2/98
Globalized consumer culture: Its implications for social justice and practice teaching
in social work
Besthorn, Fred H.
The Journal of Practice Teaching in Health and Social Work, Volume 5, Number 3, 2004, pp.
20-39(20)
Abstract: Globalised consumer culture and its corresponding ethos that accumulation of
material possessions equates to happiness are having a profound impact on the physical,
social and emotional health of human beings. For social work practitioners and field
educators the issue is how we balance the charge to serve our clients without unwittingly
forcing them into a system that is designed by its very nature to increase their
dissatisfaction and alienation. This essay discusses these concerns and offers some
initial suggestions for how social work may respond. - ingentaconnect.com
POSTMODERN CONSUMER CULTURE WITHOUT POSTMODERNITY: COPYING THE CRISIS OF
SIGNIFICATION
Kang M.K.
Cultural Studies , Volume 13, Number 1, 1 January 1999, pp. 18-33(16)
Abstract: The purpose of this study was to interpret the meaning of the postmodern
discourse produced by Korean television advertisements, by categorizing postmodern
television advertisements and describing their representations andimages of reality
indetail. Considering the production process of Korean postmodern advertisements, the
study raised a question: How can we interpret the phenomena of imitating and assimilating
the style of advertisements from the reservoir of postmodern signifiers, while not taking
into account the values, ideas and ways of thinking implicit in such advertisements? There
are two ways of interpretation. First, it would be an effect of structural dependence, in
which postmodern consumer cultural forms are replicated and replace local products with
mass-produced goods. The narratives of postmodern advertisements serve as the catalyst to
introduce these advertisements and to teach the grammar of international advertising.
Second, the assimilation of postmodern advertisements in Korean television means a newly
emergent hybrid culture. Because the target of postmodern advertisements is the young
consumer, the producers adopt postmodern tastes and styles, inserting and translating
their roots into local forms. The study concluded that it may be more appropriate not to
choose one of these interpretations as a single correct theory; it is better to look at
the articulation of different forces and processes within a field of interconnections
among mediascape, financescape and technoscape. - ingentaconnect.com
Culture, Consumption, and Adult Education: Refashioning Consumer Education for Adults
as a Political Site Using a Cultural Studies Framework
Jennifer A. Sandlin, Texas A&M University, jsandlin@coe.tamu.edu
The field of adult education exists within a context of consumer capitalism, although
adult educators have failed to acknowledge how central consumption is to todays
society. Traditional consumer education has typically focused on technical skills, and
thus positions itself outside the social, political, and cultural realms. In this article,
the author retheorizes consumer education into a more critical enterprise using the
framework of cultural studies. She argues that consumer education is a political site that
creates consumers with a range of reactions to consumer culture. From this perspective,
consumer education for adults is reconceived to include a variety of informal sites of
learning including those focusing on curbing consumption, fighting consumer capitalism,
and "jamming" corporate-sponsored consumer culture. -
aeq.sagepub.com/cgi/content/abstract/55/3/165
Theories of Overindebtedness: Interaction of Structure and Culture
JEAN BRAUCHER, University of Arizona - James E. Rogers College of Law
Arizona Legal Studies Discussion Paper No. 06-04
Theoretical Inquiries in the Law, 2006
Abstract: Consumer bankruptcy scholars typically stress either a structural or a cultural
account of individuals' problems with debt. Drawing on the history of poverty research,
this article argues that research on consumer overindebtedness and bankruptcy should avoid
the pitfall of seeing structural and cultural factors as opposing explanations.
Deregulation of the credit industry and an incomplete social safety net are key structural
conditions that lead to a culture hospitable to overindebtedness. Furthermore, the
interaction of structure and culture has practical policy implications. Structural changes
such as interest-rate deregulation inevitably transform both business and consumer
culture. Policies designed to create a different consumer culture will have a hard time
when pitted against strong structural causes of overindebtedness. At a minimum, efforts to
create a culture of personal financial responsibility need a strong structural base, such
as public education starting at a young age, and could easily require a generation or more
to take hold. - papers.ssrn.com/sol3/papers.cfm?abstract_id=826006
The Anxieties of Affluence Consumer
Culture Urban Experience Fanning
the Flames Ads
Fads and Consumer Culture Hub
Culture Shop
until You Drop The
Image Factory Voluntary
Simplicity Culture
Jam Freaks
Geeks and Cool Kids
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